Graphic Medicine

Since the 1940s, federal and state government agencies have published comics to disseminate public information. Comics legends Will Eisner and Milton Caniff produced comics for the army. Li'l Abner joined the navy. Walt Kelly's Pogo told parents how much TV their kids should watch, Bert the Turtle showed them how to survive a nuclear attack, and Dennis the Menace took "A Poke at Poison." Smokey Bear had his own comic, and so did Zippy, the USPS mascot. Dozens of artists and writers, known and unknown, were recruited to create comics about every aspect of American life, from jobs and money to health and safety to sex and drugs. Whether you want the lowdown on psychological warfare or the highlights of working in the sardine industry, the government has a comic for you! Government Issue reproduces an important selection of these official comics in full-reading format, plus a broad range of excerpts and covers, all organized chronologically in thematic chapters. Earnest, informational, and kitschy, this outstanding collection is the ultimate comics vox populi. Praise for Government Issue: "Public-service comics never looked so good." --Cleveland Plain Dealer   "The book includes work by Neal Adams, Denis Kitchen, Milton Caniff, Walt Kelly, and other big names, all producing pages paid for by American taxpayers, many of whom never even got to see [them]. Now, at last, we have that chance." --A.V. Club "A gold mine of the serious, the silly, and the truly strange stuff the government thinks we ought to know." --Scripps Howard News Service

#1New York TimesBestseller Congressman John Lewis (GA-5) is an American icon and key figure of the civil rights movement. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington, and from receiving beatings from state troopers to receiving the Medal of Freedom from the first African-American president. Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole). March is a vivid first-hand account of John Lewis' lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis' personal story, it also reflects on the highs and lows of the broader civil rights movement. Book One spans John Lewis' youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a stunning climax on the steps of City Hall. Many years ago, John Lewis and other student activists drew inspiration from the 1958 comic book "Martin Luther King and the Montgomery Story." Now, his own comics bring those days to life for a new audience, testifying to a movement whose echoes will be heard for generations. Winner of the Robert F. Kennedy Book Award - Special Recognition #1Washington PostBestseller A Coretta Scott King Honor Book An ALA Notable Book One of YALSA's Top 10 Great Graphic Novels for Teens One of YALSA's Top 10 Popular Paperbacks for Young Adults One of YALSA's Outstanding Books for the College Bound One ofReader's Digest's Graphic Novels Every Grown-Up Should Read Endorsed by NYC Public Schools' "NYC Reads 365" program Selected for first-year reading programs by Michigan State University, Marquette University, and Georgia State University Nominated for three Will Eisner Awards Nominated for the Glyph Award Named one of the best books of 2013 byUSA Today,The Washington Post,Publishers Weekly,Library Journal,School Library Journal,Booklist,Kirkus Reviews,The Horn Book, Paste,Slate,ComicsAlliance, Amazon, and Apple iBooks.

Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, continues his award-winning graphic novel trilogy with co-writer Andrew Aydin and artist Nate Powell, inspired by a 1950s comic book that helped prepare his own generation to join the struggle. Now, March brings the lessons of history to vivid life for a new generation, urgently relevant for today's world. After the success of the Nashville sit-in campaign, John Lewis is more committed than ever to changing the world through nonviolence - but as he and his fellow Freedom Riders board a bus into the vicious heart of the deep south, they will be tested like never before. Faced with beatings, police brutality, imprisonment, arson, and even murder, the movement's young activists place their lives on the line while internal conflicts threaten to tear them apart. But their courage will attract the notice of powerful allies, from Martin Luther King, Jr. to Attorney General Robert F. Kennedy... and once Lewis is elected chairman of the Student Nonviolent Coordinating Committee, this 23-year-old will be thrust into the national spotlight, becoming one of the "Big Six" leaders of the civil rights movement and a central figure in the landmark 1963 March on Washington for Jobs and Freedom. New York Times Bestseller One of YALSA's Great Graphic Novels for Teens 2016 Eisner Award for Best Reality-Based Work - Winner 2016 Harvey Award for BestBiographical, Historical, or Journalistic Presentation - Winner 2016 Harvey Award forBest Graphic Album Original - Winner 2016 Street Literature Book Award Medal forBest Graphic Novel - Winner 2016 Denver Independent Comic & Art Expo Award forBest Work - Mid/Large Press - Winner

Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy. Congressman John Lewis, an American icon and one of the key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today's world. By the fall of 1963, the Civil Rights Movement has penetrated deep into the American consciousness, and as chairman of the Student Nonviolent Coordinating Committee, John Lewis is guiding the tip of the spear. Through relentless direct action, SNCC continues to force the nation to confront its own blatant injustice, but for every step forward, the danger grows more intense- Jim Crow strikes back through legal tricks, intimidation, violence, and death. The only hope for lasting change is to give voice to the millions of Americans silenced by voter suppression- "One Man, One Vote." To carry out their nonviolent revolution, Lewis and an army of young activists launch a series of innovative campaigns, including the Freedom Vote, Mississippi Freedom Summer, and an all-out battle for the soul of the Democratic Party waged live on national television. With these new struggles come new allies, new opponents, and an unpredictable new president who might be both at once. But fractures within the movement are deepening ... even as 25-year-old John Lewis prepares to risk everything in a historic showdown high above the Alabama river, in a town called Selma. Winner of the 2016 National Book Award for Young People's Literature #1 New York Times Bestseller 2017 Coretta Scott King Author Award Winner 2017 Michael L. Printz Award Winner 2017 Robert F. Sibert Informational Book Medal Winner 2017 YALSA Award for Excellence in Nonfiction - Winner 2017 Walter Dean Myers Award for Outstanding Children's Literature - Winner 2017 Flora Stieglitz Straus Award Winner 2017 LA Times Book Prize for Young Adult Literature - Finalist

Activist-academic Meg-John Barker and cartoonist Julia Scheele illuminate the histories of queer thought and LGBTQ+ action in this groundbreaking non-fiction graphic novel. From identity politics and gender roles to privilege and exclusion, Queer explores how we came to view sex, gender and sexuality in the ways that we do; how these ideas get tangled up with our culture and our understanding of biology, psychology and sexology; and how these views have been disputed and challenged. Along the way we look at key landmarks which shift our perspective of what's 'normal'--Alfred Kinsey's view of sexuality as a spectrum, Judith Butler's view of gendered behaviour as a performance, the play Wicked, or moments in Casino Royale when we're invited to view James Bond with the kind of desiring gaze usually directed at female bodies in mainstream media.

It's 1918 in Orange, New Jersey, and everyone knows the "Ghost Girls." The proud holders of well-paying jobs at the local watch factory, these working-class young women gain their nickname from the fine dusting of glowing, radioactive powder that clings to their clothes after every shift painting watch dials. The soft, greenish glow even stains their lips and tongues, which they use to point the fine brushes used in their work. It's perfectly harmless . . . or so claims the watch manufacturer. When teeth start falling out, followed by jawbones, the dial painters become the unprepared vanguard on the frontlines of the burgeoning workers' rights movement. Desperate for compensation and acknowledgement from the company that has doomed them, the Ghost Girls must fight, not just for their own lives but the future of every woman to follow them. A stunning graphic novel retelling of the shocking and inspiring true story.

One out of every hundred adults in the U.S. is in prison. This book provides a crash course in what drives mass incarceration, the human and community costs, and how to stop the numbers from going even higher. Collected in this volume are the three comic books published by the Real Cost of Prisons Project. The stories and statistical information in each comic book are thoroughly researched and documented. Prison Town: Paying the Price tells the story of how the financing and site locations of prisons affects the people of rural communities in which prison are built. It also tells the story of how mass incarceration affects people of urban communities where the majority of incarcerated people come from. Prisoners of the War on Drugs includes the history of the war on drugs, mandatory minimums, how racism creates harsher sentences for people of color, stories of how the war on drugs works against women, three strikes laws, obstacles to coming home after incarceration, and how mass incarceration destabilizes neighborhoods. Prisoners of a Hard Life: Women and Their Children includes stories about women trapped by mandatory sentencing and the "costs" of incarceration for women and their families. Also included are alternatives to the present system, a glossary, and footnotes. Over 125,000 copies of the comic books have been printed and more than 100,000 have been sent to people who are incarcerated, to their families, and to organizers and activists throughout the country. The book includes a chapter with descriptions of how the comix have been put to use in the work of organizers and activists in prison and in the "free world" by ESL teachers, high school teachers, college professors, students, and health care providers throughout the country. The demand for the comix is constant and the ways in which they are being used are inspiring.

The New York Timesbestselling graphic memoir from actor/author/activist George Takei returns in a deluxe hardcover edition with bonus material! Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love. Now with sixteen pages of bonus content from George Takei and his co-creators- a new afterword plus a behind-the-scenes tour of the process of researching, writing, drawing, and promoting They Called Us Enemy, featuring historical documents, scripts, sketches, photos, and more! George Takei has captured hearts and minds worldwide with his magnetic performances, sharp wit, and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future. In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten "relocation centers," hundreds or thousands of miles from home, where they would be held for years under armed guard. They Called Us Enemyis Takei's firsthand account of those years behind barbed wire, the terrors and small joys of childhood in the shadow of legalized racism, his mother's hard choices, his father's tested faith in democracy, and the way those experiences planted the seeds for his astonishing future. What does it mean to be American? Who gets to decide? When the world is against you, what can one person do? To answer these questions, George Takei joins cowriters Justin Eisinger & Steven Scott and artist Harmony Becker for the journey of a lifetime.

"The problem of the twentieth century is the problem of the color line." These were the prescient words of W. E. B. Du Bois's influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era's promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois's seminal work.   Peart-Smith's graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois's words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.  

"Deftly upends the compliant narrative with impeccably documented stories of resistance and rebellion ... Made urgent yet again, the trio's courageous refusals to accept the U.S.--their!--government's heinous miscarriage of justice should irrefutably embolden new generations ... Their collective history will resonate with older teens. Also highly recommended for high-school and college classrooms." -- Terry Hong, Booklist "It leaves you simultaneously furious, questioning ideas of loyalty and citizenship ... and deeply moved. May all of us learn, and share, these stories." -- Moira Macdonald, The Seattle Times Three voices. Three acts of defiance. One mass injustice. The story of camp as you've never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada's No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America's past with disturbing links to the American present.

In Why She Wrote, dive into the fascinating, unexpected, and inspiring stories behind the greatest women writers in the English language. This compelling graphic collection features 18 women--including Jane Austen, Louisa May Alcott, Alice Dunbar Nelson, Anne Lister, and more--and asks a simple question: in a time when being a woman writer often meant being undervalued, overlooked, or pigeonholed, why did she write? Why did Jane Austen struggle to write for five years before her first novel was ever published? How did Edith Maude Eaton's writing change the narrative around Chinese immigrant workers in North America? Why did the Brontë sisters choose to write under male pennames, and Anne Lister write her personal diaries in code? Learn about women writers from the 18th, 19th, and early 20th centuries, from familiar favorites to those who have undeservedly fallen into obscurity, and their often untold histories, including: * The forgotten mother of the gothic genre * The unexpected success of Little Women * The diaries of the "first modern lesbian" * The lawsuit to protect Little Lord Fauntleroy * The personal account of a mastectomy in 1811 * Austen's struggles with writer's block * And much, much more! Why She Wrote highlights a significant moment from each writer's life and retells it through engaging and accessible comics, along with biographical text, bibliographies, and fun facts. For aspiring writers, literary enthusiasts, and the Janeite who has everything, this new collection highlights these incredible women's hardships, their influence, and the spark that called them to write. * GREAT GRAPHIC NOVEL FOR ALL AGES: Librarians and teachers recommend graphic novels for readers of all ages, especially beloved nonfiction titles like Marjane Satrapi's Persepolis and Raina Telgemeier's Smile, Sisters, and Guts. Immerse yourself in the stories of these fascinating women through the fun, approachable, and dynamic medium of the graphic novel! * CELEBRATION OF WOMEN WRITERS: Want to read more books by historical women writers, but aren't sure where to start? The stories and bibliographies of the women featured in Why She Wrote is an inspirational deep dive. * OVERVIEW OF WOMEN'S HISTORY: Add it to the shelf alongside other collections of women's history, including Women in Science: 50 Fearless Pioneers Who Changed the World by Rachel Ignotofsky, Brazen: Rebel Ladies Who Rocked the World by Pénélope Bagieu, and Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for Their Rights by Mikki Kendall and A. D'Amico.